Coombes,
Annie E. 1994. Reinventing Africa: museums,
material culture, and popular imagination in Late Victorian
and Edwardian England, New Haven, Yale University
Press, Londres.
Gell, Alfred. 1998. Art and Agency,
Clarendon Press, Oxford, New York.
Ginsburg, Faye. 1994. Culture/Media. A (mild)
polemic, en: Anthropology Today, Vol.
10, No.2, April 1994.
Grimshaw, Anna. 2001. The Ethnographer’s
Eye, Ways of Seeing in Modern Anthropology,
Cambridge University Press.
Jay, Martin. 1994. The Disenchantment of the
Eye, Surrealism and the Crisis of Ocularcentrism,en
Visualizing Theory, Ensayos Selectos de VAR,
1990-1994, Taylor, Lucien (Ed), Routledge, Londres.
Marcus, G. and Myers. 1995. The Traffic in Art
and Culture, University of California Press.
Naficy, Hamid. 2001. An Accented Cinema: Exilic
and Diasporic Filmmaking, N J Princeton University
Press.
Nichols, Bill. 1991. Representing Reality: Issues
and Concepts en Documentary, Indiana University
Press, Bloomington.
|
|
___________ 1994. Blurred Boundaries: Questions
of meaning in Contemporary Culture, Indiana
University Press, Bloomington.
Rouch,
Jean. 1974. The camera and Man, en
Principles of Visual Anthropology, Editado
por Paul Hockings, Mouton de Gruyter, Third Edition,
1995, Berlin-New York.
___________2003. Our Totemic Ancestors
and Crazed Masters, en: Principles of Visual
Anthropology, Editado por Paul Hockings, Mouton
de Gruyter, Tercera Edición, 2003, Berlin-New
York,
____________2003. Ciné-Ethnography,
Jean Rouch, Editado y traducido por Steven Feld, University
of Minessota Press.
Ruby, Jay. 2000. Picturing Culture, Explorations
of Film and Anthropology, University of Chicago
Press.
Schwarcs, LM. 1999. The Spectacle of the Races:
Scientists, institutions and the race question in Brazil
1870-190, Traducido por Leland Guyerm , Hill
and Wangm , New York.
Slater, Don. 1995. Photography and Modern Vision,
en: Jenks, Chris (Ed), Visual Culture, Routledge, Londres.
|
|